{"id":12883,"date":"2026-09-02T15:58:28","date_gmt":"2026-09-02T13:58:28","guid":{"rendered":"https:\/\/potulnauniverzita.cz\/?p=12883"},"modified":"2026-09-02T16:24:48","modified_gmt":"2026-09-02T14:24:48","slug":"ivo-hucl-na-okraji-prazdna","status":"publish","type":"post","link":"https:\/\/potulnauniverzita.cz\/en\/ivo-hucl-na-okraji-prazdna\/","title":{"rendered":"Ivo Hucl: Na okraji pr\u00e1zdna \/ \u00davahy o odkazu v\u00fdchodn\u00ed lyrick\u00e9 poetiky pro evropsk\u00e9 um\u011bn\u00ed a b\u00e1snictv\u00ed"},"content":{"rendered":"

"Skute\u010dn\u00e1 poezie znamen\u00e1 v\u00e9st kr\u00e1sn\u00fd \u017eivot.<\/strong><\/em><\/p>\n\n\n\n

Pro\u017e\u00edvat poezii je lep\u0161\u00ed ne\u017e ji ps\u00e1t.\u201c<\/strong><\/em><\/p>\n\n\n\n

Matsuo Bash\u014d<\/strong><\/p>\n\n\n\n

*<\/p>\n\n\n\n

\u00da\u010delem lyrick\u00e9 poetiky nen\u00ed vytv\u00e1\u0159et nov\u00e9 reality, nov\u00e9 bytosti, sv\u011bty, p\u0159\u00edb\u011bhy, n\u00fdbr\u017e odkr\u00fdvat skryt\u00e9. Ps\u00e1t o vln\u00e1ch mimo vodu je toti\u017e klam<\/em>. Jen ono nezrozen\u00e9 se ch\u00e1pe reality, bytost\u00ed, sv\u011bt\u016f, p\u0159\u00edb\u011bh\u016f. V oblac\u00edch zn\u00ed \u0161um\u011bn\u00ed mo\u0159sk\u00fdch ulit a slune\u010dn\u00ed paprsky ul\u00e9haj\u00ed v mechov\u00fdch zahrad\u00e1ch. Jin\u00e1 evoluce, jin\u00fd smysl, jin\u00fd kl\u00ed\u010d. B\u00e1se\u0148 pluj\u00edc\u00ed oce\u00e1nem v b\u0159i\u0161e velryby v o\u010dek\u00e1v\u00e1n\u00ed nad\u011bje vyvr\u017een\u00ed.<\/p>\n\n\n\n

*<\/em><\/p>\n\n\n\n

Na Z\u00e1pad\u011b st\u00e1le v\u011b\u0159\u00edme, \u017ee my tvo\u0159\u00edme b\u00e1sn\u011b, \u017ee my jsme ony mytick\u00e9 ob\u0159\u00ed \u017eelvy, je\u017e na sv\u00fdch krun\u00fd\u0159\u00edch nesou cel\u00fd sv\u011bt a spolu s n\u00edm i budouc\u00ed rajsk\u00e9 ostrovy nesmrteln\u00fdch. Zbytn\u011bl\u00fdm sebev\u011bdom\u00edm tak zp\u016fsobujeme genocidu m\u00edst, v nich\u017e se b\u00e1sn\u011b d\u011bj\u00ed. Podl\u00e9h\u00e1me lstiv\u00e9mu had\u00edmu p\u0159\u00edb\u011bhu, \u017ee smysl skute\u010dnosti lze um\u011bn\u00edm a my\u0161len\u00edm spoutat, \u017ee o n\u011bm m\u016f\u017eeme sv\u011bd\u010dit. Unik\u00e1 n\u00e1m, \u017ee ho lze jen zdr\u017eenliv\u011b nazna\u010dit, jen letmo pozdr\u017eet mezi rty nebo na n\u011bj ukazovat v pooto\u010den\u00edch v\u011b\u010dn\u00e9ho hrn\u010d\u00ed\u0159sk\u00e9ho kruhu. T\u0159eba lyrickou b\u00e1sn\u00ed, kter\u00e1 mus\u00ed b\u00fdt jako mizej\u00edc\u00ed jarn\u00ed sn\u00edh ka\u017edoro\u010dn\u011b naps\u00e1na znovu a znovu; b\u00e1se\u0148, jej\u00ed\u017e bezv\u00fdznamnost a nedo\u0159e\u010denost je v kontextu cel\u00e9ho vesm\u00edru zdrcuj\u00edc\u00ed.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Lyrick\u00fd vhled je k\u0159ehk\u00fdm propojen\u00edm intimity, bezmoci, odpu\u0161t\u011bn\u00ed a demaskuj\u00edc\u00edho p\u016fsoben\u00ed jazyka; z\u00e1rove\u0148 je novou otev\u0159enost\u00ed pro na\u0161i z\u00e1kladn\u00ed orientaci v nadch\u00e1zej\u00edc\u00ed f\u00e1zi lidsk\u00e9 spole\u010dnosti. Pokud mezi b\u00e1sn\u00edkem a vesm\u00edrn\u00fdmi v\u011bcmi mohou b\u00fdt pouh\u00fdm vhledem rozpu\u0161t\u011bny ve\u0161ker\u00e9 bari\u00e9ry, mohou b\u00fdt rozpu\u0161t\u011bny i mezi lidsk\u00fdmi bytostmi. Lyrick\u00e1 propustnost tvo\u0159\u00ed z\u00e1klad praktick\u00e9 soun\u00e1le\u017eitosti s realitou, nov\u00fdch spole\u010densk\u00fdch vztah\u016f i ekologick\u00e9 spravedlnosti, ale i otev\u0159en\u00ed nevysychaj\u00edc\u00edch zdroj\u016f soucitu a \u017eiv\u00e9 kr\u00e1sy.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Lyrick\u00fd b\u00e1sn\u00edk nech\u00e1v\u00e1 sv\u016fj d\u016fm pr\u00e1zdn\u00fd. Na jeho st\u011bny nelze zav\u011bsit \u017e\u00e1dn\u00e9 dekorace, proto\u017ee neexistuj\u00ed. St\u0159echou i podlahou bezstarostn\u011b proud\u00ed d\u00e9\u0161\u0165, slunce i v\u00edtr. Slova \u010di znaky se sn\u00e1\u0161ej\u00ed na str\u00e1nky knih jako sakurov\u00e9 kv\u011bty. Ver\u0161e netryskaj\u00ed z b\u00e1snick\u00e9ho j\u00e1 ani z jeho podv\u011bdom\u00ed jako v p\u0159\u00edpad\u011b automatick\u00e9ho psan\u00ed; nejsou voln\u00ed aktivitou. B\u00e1se\u0148 jako by vystupovala ze skryt\u00e9 strany jazyka, stejn\u011b jako se n\u00e1m na obli\u010dej za v\u00e1nice lep\u00ed mokr\u00fd sn\u00edh, kter\u00fd okam\u017eit\u011b vst\u0159eb\u00e1v\u00e1 podobu na\u0161\u00ed tv\u00e1\u0159e \u2013 odvr\u00e1cen\u00e9 tv\u00e1\u0159e sn\u011bhu. Slova z\u00e1\u0159\u00ed a promlouvaj\u00ed skrze zasn\u011b\u017een\u00e1 \u00fasta b\u00e1sn\u00edka.<\/p>\n\n\n\n

*

Odst\u00edny v\u0161ech barev, odlesky \u0159ek a mo\u0159\u00ed, lidsk\u00e9 utrpen\u00ed i pom\u00edjivost vl\u010d\u00edch m\u00e1k\u016f, to jsou zbran\u011b hromadn\u00e9ho ni\u010den\u00ed lyrick\u00fdch revoluc\u00ed. M\u00edsto krve v nich te\u010de sv\u011btlo, kter\u00e9 prosv\u011bcuje zatuchl\u00e1 z\u00e1kout\u00ed a nez\u0159eteln\u00e9 okraje, kde rozum jen t\u00e1pe. Skute\u010dn\u00fd, ryz\u00ed, \u017eiv\u00fd sv\u011bt, bez gramatick\u00fdch konstrukc\u00ed a teori\u00ed, sv\u011bt s\u00e1m sebou jako znak a pe\u010de\u0165, kter\u00fd nen\u00ed zapot\u0159eb\u00ed vykl\u00e1dat, ale \u017e\u00edt. V takov\u00e9m sv\u011bt\u011b zahl\u00e9dnete v letu b\u011bl\u00e1ska povahu vlastn\u00ed mysli. A m\u016f\u017ee-li k\u0159ehk\u00fd mot\u00fdl \u201epohltit\u201c \u010dlov\u011bka, m\u016f\u017ee k\u0159ehk\u00fd \u010dlov\u011bk \u201epohltit\u201c totalitn\u00ed ideologii nebo cel\u00fd syst\u00e9m. Na kvantov\u00e9 \u00farovni toti\u017e vl\u00e1dne absolutn\u00ed solidarita, tot\u00e1ln\u00ed demokracie a nevy\u010derpateln\u00fd soucit. Nic a nikdo se nem\u016f\u017ee vyv\u00e1zat ze vztahu nebe a zem\u011b. Zd\u00e1nliv\u011b melancholicky opad\u00e1vaj\u00edc\u00ed kv\u011bty jen ustupuj\u00ed jistot\u011b a spanilosti p\u0159ich\u00e1zej\u00edc\u00edho plodu. Velk\u00e1 revoluce budoucnosti p\u0159ich\u00e1z\u00ed na holubi\u010d\u00edch nohou \u010dist\u00e9 lyriky.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Evropsk\u00fd \u010dten\u00e1\u0159\u017eije s v\u00fdchodn\u00ed formou kr\u00e1tk\u00e9 lyrick\u00e9 b\u00e1sn\u011b (p\u0159edev\u0161\u00edm s pozd\u011bj\u0161\u00edmi sedmn\u00e1ctislabi\u010dn\u00fdmi b\u00e1sn\u011bmi haiku) v symbi\u00f3ze ji\u017e minim\u00e1ln\u011b sto let. P\u0159esto od takov\u00e9 b\u00e1sn\u011b st\u00e1le o\u010dek\u00e1v\u00e1 zku\u0161enost, kter\u00e1 vyv\u011br\u00e1 z kontextu z\u00e1padn\u00ed tis\u00edcilet\u00e9 liter\u00e1rn\u00ed historie \u2013 linearitu, p\u0159\u00edb\u011bh, rozru\u0161ov\u00e1n\u00ed smysl\u016f, aliteraci, popis, pointu nebo mor\u00e1ln\u00ed pou\u010den\u00ed. V haiku je v\u0161ak v\u0161e zmi\u0148ovan\u00e9 rozdrceno na prach nekone\u010dn\u011b se rozv\u011btvuj\u00edc\u00edch okam\u017eik\u016f a dotek\u016f v\u011bc\u00ed. \u010cten\u00ed tohoto druhu b\u00e1sn\u011b se proto pro nepou\u010den\u00e9ho \u010dten\u00e1\u0159e st\u00e1v\u00e1 a\u017e nesnesiteln\u00fdm, v hor\u0161\u00edm p\u0159\u00edpad\u011b lapid\u00e1rn\u00edm a nudn\u00fdm.<\/p>\n\n\n\n

*

V haiku nebo zenov\u00e9 poezii obecn\u011b je v\u017edy d\u016fle\u017eit\u00e9 duchovn\u00ed hled\u00e1n\u00ed (cesta \u2013 d\u014d), a\u017e potom n\u00e1sleduje tv\u016fr\u010d\u00ed gesto, z\u00e1znam zku\u0161enosti, obraz nebo b\u00e1se\u0148. Od Bash\u014da se traduje my\u0161lenka, \u017ee pro\u017e\u00edvat poezii je lep\u0161\u00ed ne\u017e ji ps\u00e1t.Proto se pro evropsk\u00e9ho \u010dten\u00e1\u0159e m\u016f\u017ee v\u00fdchodn\u00ed poezie \u010dasto jevit jako p\u0159\u00edli\u0161 ban\u00e1ln\u00ed a lakonick\u00e1. Napsat, \u017ee do rybn\u00edka sko\u010d\u00ed \u017e\u00e1ba a ono to \u017eblu\u0148kne, je p\u0159ece tak snadn\u00e9. Ka\u017ed\u00fd takov\u00fd text n\u00e1s nav\u00edc zanech\u00e1 bez pointy, bez ponau\u010den\u00ed. Evropsk\u00fd \u010dten\u00e1\u0159 o\u010dek\u00e1v\u00e1, \u017ee k\u00e1men v takov\u00e9to b\u00e1sni se stane zrcadlem, v n\u011bm\u017e spat\u0159\u00ed z\u00e1blesk sv\u00e9 tv\u00e1\u0159e. Ale k\u00e1men z\u016fst\u00e1v\u00e1 jen kamenem, nav\u00edc ztracen\u00fdm v minulosti, kter\u00e1 neexistuje. \u010c\u00edst zenov\u00e9 b\u00e1sn\u011b nebo haiku nen\u00ed v\u016fbec jednoduch\u00e9. Kdosi prohl\u00e1sil, \u017ee p\u0159e\u010d\u00edst knihu podobn\u00fdch text\u016f je jako b\u00fdt uklov\u00e1n k smrti holubicemi<\/em>. Gary Snyder vymezil pro tento zp\u016fsob psan\u00ed pojem \u201enov\u00e1 p\u0159\u00edrodn\u00ed poetika\u201c. Zd\u016fraz\u0148oval, \u017ee poezie mus\u00ed prostoupit na\u0161e ve\u0161ker\u00e9 rozhodov\u00e1n\u00ed v\u010detn\u011b j\u00eddla \u010di politiky.<\/p>\n\n\n\n

*
V jedn\u00e9 star\u00e9 korejsk\u00e9 b\u00e1sni se p\u00ed\u0161e:<\/p>\n\n\n\n

Ve slune\u010dn\u00edm sv\u011btle,
je\u017e pronik\u00e1 \u0161kv\u00edrou dovnit\u0159
v\u00ed\u0159\u00ed jemn\u00e1 zrnka prachu
V pr\u016fzra\u010dn\u00e9m jez\u00edrku
se jasn\u011b odr\u00e1\u017eej\u00ed v\u011bci kolem<\/p>\n\n\n\n

D\u011btsky p\u0159\u00edm\u00e1, pr\u016fzra\u010dn\u00e1 a p\u0159edev\u0161\u00edm prost\u00e1 b\u00e1se\u0148 by se v \u010cech\u00e1ch st\u011b\u017e\u00ed dostala do n\u011bjak\u00e9 b\u00e1snick\u00e9 antologie jako v\u00fdjime\u010dn\u00fd liter\u00e1rn\u00ed text. M\u00e1lokdo bez znalosti kulturn\u00edho kontextu nalezne bezb\u0159ehost zenov\u00fdch inspirac\u00ed, ocen\u00ed metafory zrcadlen\u00ed, symboliku prachu a klidn\u00e9ho jez\u00edrka; jen skute\u010dn\u011b pou\u010den\u00ed odhal\u00ed afinity k z\u00e1kladn\u00edm buddhistick\u00fdm s\u00fatr\u00e1m. Naopak. \u010cesk\u00fd \u010dten\u00e1\u0159 z\u016fstane neuspokojen absenc\u00ed z\u00e1pasu, politick\u00e9 anga\u017eovanosti, origin\u00e1ln\u00edch formulac\u00ed a st\u0159et\u016f metafor. \u017d\u00e1dn\u00fd ver\u0161 zde neum\u00ed \u201est\u0159\u00edlet\u201c ani \u201ezab\u00edjet\u201c, jak to v 60. letech po\u017eadoval od poezie LeRoi Jones; slova nez\u00e1pas\u00ed a \u201enesoulo\u017e\u00ed\u201c jako v b\u00e1snick\u00fdch knih\u00e1ch Vladim\u00edra Holana, neop\u011bvuj\u00ed \u00fad\u011bsnou a nenorm\u00e1ln\u00ed kr\u00e1su jako b\u00e1sn\u011b Charlese Baudelaira. Je zde jen hol\u00e9 vid\u011bn\u00ed a prost\u00e1 evidence p\u0159\u00edrodn\u00edch d\u011bj\u016f, nitern\u00e9 sm\u00ed\u0159en\u00ed s magickou silou ducha, lyrick\u00e1 harmonie. Origin\u00e1ln\u00ed a svobodn\u00fd b\u00e1snick\u00fd hlas jako by ani nebyl sly\u0161et. P\u0159esto jsou tyto ver\u0161e nesmrteln\u011b vetknuty do k\u00e1nonu v\u00fdchodn\u00ed poezie a pro cel\u00e9 generace sv\u00fdch \u010dten\u00e1\u0159\u016f z\u016fst\u00e1vaj\u00ed studnic\u00ed nejhlub\u0161\u00ed inspirace a filosofick\u00e9ho pou\u010den\u00ed.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Zjeven\u00ed lyrick\u00e9 b\u00e1sn\u011b se ned\u011bje za n\u011bjak\u00fdch zvl\u00e1\u0161tn\u00edch a dramatick\u00fdch okolnost\u00ed. V\u011bt\u0161inou neh\u0159m\u00ed, zem\u011b se nerozestupuje, netrh\u00e1 se chr\u00e1mov\u00e1 opona. B\u00e1sn\u00edci V\u00fdchodu nestimuluj\u00ed sv\u00e9 v\u011bdom\u00ed drogami a jedy (snad vyjma sake a \u0161vestkov\u00e9ho v\u00edna); schopnost vhledu jim umo\u017e\u0148uj\u00ed sp\u00ed\u0161e meditace a kontemplace. Nepova\u017euj\u00ed se za absolutn\u00ed tv\u016frce,<\/em> a proto se nestylizuj\u00ed do role spasitel\u016f a nositel\u016f cel\u00e9ho byt\u00ed.Jako by v\u011bd\u011bli, \u017ee je\u0161itnost tv\u016frce boh\u016f se jen t\u0159\u00ed\u0161t\u00ed o sk\u00e1ly ega a bohov\u00e9 zp\u011btn\u011b na sv\u00e9 demiurgy ses\u00edlaj\u00ed jen utrpen\u00ed, \u0161\u00edlenstv\u00ed nebo smrt. V\u011bdom\u00ed nen\u00ed nutn\u00e9 osvobozovat z jha d\u00e9mon\u016f temnot. Jako marn\u00e9 vn\u00edm\u00e1 V\u00fdchod \u00fasil\u00ed probour\u00e1vat se n\u011bjak\u00fdm ultim\u00e1tn\u00edm beranidlem<\/em> do m\u00edst,<\/em> kde sv\u00edt\u00ed \u010dern\u00e9 hv\u011bzdy, te\u010dou purpurov\u00e9 \u0159eky a nebe ho\u0159\u00ed.Kde nen\u00ed \u017eivot ani smrt, tam se neda\u0159\u00ed nic vyprosit.Jenbolest sv\u00fdm bli\u017en\u00edm a slep\u00e9 krysy.V\u017edy\u0165 in<\/em>\u0161e je relativn\u00ed a relativita sama je podm\u00edn\u011bna zas jen relativitou.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

SLEP\u00c9 ZRCADLO<\/strong>
s\u00fatra o vn\u00edm\u00e1n\u00ed<\/em><\/p>\n\n\n\n

Je nemo\u017en\u00e9 sd\u00edlet slovy poselstv\u00ed mrak\u016f,
i kdy\u017e \u0159\u00e1dkovan\u00fdch v\u011btrem,
v\u00e1zan\u00fdch hedv\u00e1b\u00edm hebk\u00e9ho jehli\u010d\u00ed.
Nelze porozum\u011bt jazyku de\u0161t\u011b,
kdy\u017e nejsme kv\u011btinami.<\/p>\n\n\n\n

Kdo se odv\u00e1\u017e\u00ed rozlu\u0161tit
nezachytitelnou vratkost vla\u0161tovek,
kter\u00e9 spole\u010dn\u011b s jarem
listuj\u00ed hlin\u011bn\u00fdmi b\u00e1sn\u011bmi,
je\u017e se zvolna vyno\u0159uj\u00ed
z pom\u00edjiv\u00e9 b\u011blosti sn\u011bhu.<\/p>\n\n\n\n

Snad je kr\u00e1sa jen chyba,
kter\u00e1 sv\u00fdm ost\u0159\u00edm zra\u0148uje na\u0161e smysly.
Toneme na neexistuj\u00edc\u00ed hranici
mezi sv\u011btlem a st\u00ednem,
zaplaveni temnotou ve sv\u011btle
a osln\u011bni sv\u011btlem ve tm\u011b.<\/p>\n\n\n\n

Jak ale rozli\u0161it
matn\u011b nal\u00e9hav\u00fd t\u0159pyt p\u0159\u00edtomnosti
od oslniv\u00e9 exploze hv\u011bzdy
zanikl\u00e9 p\u0159ed miliardami let?<\/p>\n\n\n\n

Odkud berou krokusy
sv\u00e9 jantarov\u00e9 sv\u011btlo
a neposkvrn\u011bn\u00fd pel,
kter\u00fd m\u00e1 schopnost nahl\u00e9dnout s\u00e1m sebe
z odl\u00e9taj\u00edc\u00edch v\u010del\u00edch kor\u00e1b\u016f?<\/p>\n\n\n\n

Vzne\u0161en\u00e9 slunce p\u0159ich\u00e1z\u00ed,
jako otisk srdce na kaligrafii nebe.
Odlesky soj\u010d\u00edch rub\u00e1\u0161\u016f ti\u0161\u00ed smutek z lou\u010den\u00ed,
kter\u00fd stoup\u00e1 z je\u0161t\u011b tepl\u00e9ho pe\u0159\u00ed
opu\u0161t\u011bn\u00fdch pta\u010d\u00edch hn\u00edzd.<\/p>\n\n\n\n

Zd\u00e1 se n\u00e1m, \u017ee vn\u00edm\u00e1me barvy,
v\u016fn\u011b, tvary, p\u0159eludn\u00e9 v\u00fdznamy,
ale co je vlastn\u011b z\u0159ejm\u00e9,
kdy\u017e cel\u00fd sv\u011bt je pr\u00e1zdn\u00fd i od na\u0161\u00ed mysli?
V \u010dem se slabiky, slova, v\u011bty, \u0159e\u010d,
li\u0161\u00ed od \u0161elestu list\u00ed?
Rozum v tomto z\u00e1pase nem\u016f\u017ee obst\u00e1t.<\/p>\n\n\n\n

Snad se jazyk s\u00e1m \u0159et\u011bz\u00ed skrze na\u0161e smysly,
zav\u00edj\u00ed do na\u0161ich \u00fast v jedin\u00e9m toto\u017en\u00e9m obraze
jako vzdu\u0161n\u00e9 ko\u0159eny li\u00e1n s hejny pt\u00e1k\u016f,
jejich\u017e zp\u011bv rozechv\u00edv\u00e1 t\u011bla a proud\u00ed mezi rty.<\/p>\n\n\n\n

Ale jen tak, jak je,
a\u0165 chceme nebo nechceme.<\/p>\n\n\n\n

To odtud pramen\u00ed soucit, spo\u010dinut\u00ed my\u0161lenek,
pom\u00edjivost a vz\u00e1jemn\u00e9 posouv\u00e1n\u00ed,
kter\u00e9 v\u0161emu prop\u016fj\u010duje lesk a ost\u0159\u00ed.
Nen\u00ed v tom \u017e\u00e1dn\u00fd rozpor,
proto\u017ee p\u0159\u00edroda v\u017edy zahrnuje v\u0161e
stejn\u011b jako b\u00e1se\u0148.<\/p>\n\n\n\n

V syt\u00e9 zeleni mechov\u00fdch propast\u00ed
za\u010d\u00edn\u00e1 a kon\u010d\u00ed v\u011b\u010dn\u00e9 putov\u00e1n\u00ed,
ve vlhk\u00fdch v\u00e1z\u00e1ch jeskyn\u00ed
reznou m\u0159\u00ed\u017ee d\u00e1vn\u00fdch zlo\u010din\u016f.
Sta\u010d\u00ed jen neodm\u00edtat \u0161elest vz\u00e1jemnosti,
dech v dechu, \u00fazkost v l\u00e1sce,
nedoz\u00edrn\u00e9 a nedostupn\u00e9 b\u0159ehy uvnit\u0159 n\u00e1s.
Nesly\u0161n\u00fd krok volavek nad hlavami ryb,
osam\u011bl\u00e9 vl\u010d\u00ed m\u00e1ky v b\u011blostn\u00e9m bezov\u00e9m krasohledu.<\/p>\n\n\n\n

Jen se tak d\u00edvat o\u010dima bez hlavy,
bulvami bez v\u00ed\u010dek
\u0161lapat p\u0159\u00edmo po \u0161t\u011brkov\u00fdch cest\u00e1ch.<\/p>\n\n\n\n

Ka\u017ed\u00e9 st\u00e9blo tr\u00e1vy, ka\u017ed\u00fd z\u00e1van v\u011btru,
ka\u017ed\u00e1 vzpom\u00ednka, kter\u00e1 se objev\u00ed v mysli,
se st\u00e1v\u00e1 p\u0159\u00ed\u010dinou odm\u00edtnut\u00ed.<\/p>\n\n\n\n

Jak zneklid\u0148uj\u00edc\u00ed je nach\u00e1zet a b\u00fdt obdarov\u00e1n.
Jedno, zda jen st\u00edny pluj\u00edc\u00edmi mezi ok\u0159ehkem,
\u010di hojnost\u00ed \u010derv\u00edho \u00fapl\u0148ku, z kter\u00e9ho \u010derpaj\u00ed s\u00edlu
j\u00e1sav\u00e9 divizny na\u0161\u00ed vlastn\u00ed smrti.<\/p>\n\n\n\n

Oc\u00fany v\u017edy rozkv\u00e9taj\u00ed vlevo za prsn\u00ed kost\u00ed,
oslniv\u00e9 a k\u0159ehk\u00e9 jako v\u00e1no\u010dn\u00ed ozdoby,
jen p\u00e9\u010d\u00ed o n\u011b se rozv\u00edjej\u00ed v\u0161echny opravdov\u00e9 cesty.
Jinak i vysloven\u00e1 \u00fazkost z\u016fst\u00e1v\u00e1 pouze \u00fazkost\u00ed.<\/p>\n\n\n\n

Korunami strom\u016f se propl\u00e9taj\u00ed v\u016fn\u011b,
v\u017edy znovu ztracen\u00e9 jako touha padl\u00e1 na zem.
Poledn\u00ed nebe rdous\u00ed neviditeln\u00e9 hv\u011bzdy,
kter\u00e9 m\u016f\u017eeme sd\u00edlet jedin\u011b s noc\u00ed.<\/p>\n\n\n\n

Bezv\u00fdchodn\u00e9 v\u00edt\u011bzstv\u00ed jara se zmoc\u0148uje sv\u011bta,
v hor\u00e1ch se ze skal val\u00ed chladn\u00e1 voda
a z okraj\u016f neexistuj\u00edc\u00edch cest vis\u00ed slova
jako pr\u016fsvitn\u00e9 pupeny vist\u00e1riov\u00fdch kv\u011bt\u016f.
Domovem budi\u017e n\u00e1m list\u00ed.<\/p>","protected":false},"excerpt":{"rendered":"

\u201eSkute\u010dn\u00e1 poezie znamen\u00e1 v\u00e9st kr\u00e1sn\u00fd \u017eivot. Pro\u017e\u00edvat poezii je lep\u0161\u00ed ne\u017e ji ps\u00e1t.\u201c Matsuo Bash\u014d * \u00da\u010delem lyrick\u00e9 poetiky nen\u00ed vytv\u00e1\u0159et nov\u00e9 reality, nov\u00e9 bytosti, sv\u011bty, p\u0159\u00edb\u011bhy, n\u00fdbr\u017e odkr\u00fdvat skryt\u00e9. Ps\u00e1t o vln\u00e1ch mimo vodu je toti\u017e klam. Jen ono nezrozen\u00e9 se ch\u00e1pe reality, bytost\u00ed, sv\u011bt\u016f, p\u0159\u00edb\u011bh\u016f. V oblac\u00edch zn\u00ed \u0161um\u011bn\u00ed mo\u0159sk\u00fdch ulit a slune\u010dn\u00ed paprsky… Continue reading Ivo Hucl: Na okraji pr\u00e1zdna \/ \u00davahy o odkazu v\u00fdchodn\u00ed lyrick\u00e9 poetiky pro evropsk\u00e9 um\u011bn\u00ed a b\u00e1snictv\u00ed<\/span><\/a><\/p>","protected":false},"author":4,"featured_media":12885,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[141,142],"class_list":["post-12883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezarazene","tag-ivo-hucl","tag-vychodni-poetika","entry"],"_links":{"self":[{"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/posts\/12883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/comments?post=12883"}],"version-history":[{"count":19,"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/posts\/12883\/revisions"}],"predecessor-version":[{"id":12909,"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/posts\/12883\/revisions\/12909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/media\/12885"}],"wp:attachment":[{"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/media?parent=12883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/categories?post=12883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/potulnauniverzita.cz\/en\/wp-json\/wp\/v2\/tags?post=12883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}