{"id":7858,"date":"2022-04-18T21:37:16","date_gmt":"2022-04-18T19:37:16","guid":{"rendered":"https:\/\/potulnauniverzita.cz\/?post_type=aktivity&p=7858"},"modified":"2024-03-04T10:56:38","modified_gmt":"2024-03-04T09:56:38","slug":"caspar-david-friedrich-a-krajina-u-teplic-putovani-na-dvojhoru-milesovky-s-kletecnou","status":"publish","type":"aktivity","link":"https:\/\/potulnauniverzita.cz\/en\/aktivity\/caspar-david-friedrich-a-krajina-u-teplic-putovani-na-dvojhoru-milesovky-s-kletecnou\/","title":{"rendered":"Caspar David Friedrich and the landscape near Teplice: hiking to the twin mountains of Mile\u0161ovka and Klete\u010dn\u00e1"},"content":{"rendered":"
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<\/a>Spring wanderings<\/a><\/p>\n\n\n\n

Caspar David Friedrich and the landscape near Teplice: hiking to the twin mountains of Mile\u0161ovka and Klete\u010dn\u00e1<\/h1>\n\n\n\n

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Teplice Spa (reprophoto)<\/p>\n\n\n\n

From Teplice to Doubravsk\u00e1 hora, Lb\u00edn, Ohn\u00ed\u010d, Kostomlaty, \u010cern\u010dice, Mile\u0161ovka, Klete\u010dn\u00e1, Chotim\u011b\u0159, Op\u00e1rno, Lovo\u0161, Mal\u00e9 \u017dernoseky, Kalv\u00e1ria, Kam\u00fdk, Litom\u011b\u0159ice (67 km).<\/p>\n\n\n\n

Saturday, May 7 \u2013 Monday, May 9, 2022<\/p>\n\n\n\n

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\u201cThe landscape around Teplice is beautiful \u2026 and uplifting.\u201d <\/p>\nCaspar David Friedrich (in a letter to his synon, 1835)<\/cite><\/blockquote>\n\n\n\n

This year we will celebrate the arrival of spring and love on a May journey that we will set out on from Teplice in northern Bohemia. We will commemorate the creative legacy of the leading figure of European Romantic painting, the German painter Caspar David Friedrich (1774-1840), whose work is significantly connected with the landscape of the Bohemian Central Mountains around Teplice (but also with the landscapes of Saxon and Bohemian-Saxon Switzerland, the Lusatian Mountains and the Giant Mountains). It can be said that CD Friedrich in a revealing way expressed something of the specific character of the poetry of the Bohemian Central Mountains, this landscape of isolated conical volcanic mountains, and uniquely celebrated this landscape. The key works in this regard are primarily two of the artist's paintings from 1808, "Bohemian Landscape with Mile\u0161ovka" and "Bohemian Landscape", which testify to his fascination with this landscape. Both depict the dominant motif of the Bohemian Central Mountains, the Mile\u0161ovka mountain, or rather the Mile\u0161ovka and Klete\u010dn\u00e1 mountains, and belong to the significant works of their author and to the top examples of world romantic painting. In the painting "Czech Landscape with Mile\u0161ovka", CD Friedrich depicted the typical romantic theme of the awakening morning landscape, on which rested the "reflection of paradise beauty and bliss" (Eva Reitharov\u00e1). The landscape, dominated by sky, air and light, is an expression of the romantic artist's effort to capture the immeasurable and infinite (cosmic) in the finite; the central motif of the two mountains of Mile\u0161ovka and Klete\u010dn\u00e1, which rise on the horizon and dissolve in the light, is here sacralized by the author in the form of a double mountain, which probably refers to the symbolism of the double-peaked God's Mountain, which may have been close to the religiously inclined Friedrich.<\/strong><\/p>\n\n\n\n

Saturday 7. 5.: Prague \u2013 Teplice, Doubravsk\u00e1 hora, Lb\u00edn, B\u00edlina meanders, Ohn\u00ed\u010d, Kostomlaty (24 km)<\/h3>\n\n\n\n

We will meet in Prague at the main train station at 7 am and at 7:25 we will leave Prague by train to Teplice v \u010cech\u00e1ch, where we will be at 9:06. From the train station in Teplice we will walk along Vrchlick\u00e9ho Street to Zeyerovo n\u00e1m\u011bst\u00ed and further to Doubravsk\u00e1 hora <\/em>(Castle Hill, 393 m). The ruins of the local castle from the 15th to 17th centuries were a destination for visitors to the Teplice spa in the 19th century. A fragment of the bastion of the castle fortifications has survived to this day, which CD Friedrich captured in two color drawings; he depicted the view of Castle Hill (Doubravsk\u00e1 hora) above Teplice from the southwest in a charming ink drawing. From Doubravsk\u00e1 hora we will continue to Sandy hill<\/em> (251 m), where the observatory is located, and then further through Jan\u00e1\u010dek and Humboldt gardens to L\u00e1zn\u011b Teplice. We will walk through the Spa Square, the Castle Garden and remember the rich history of the local spa, called Little Paris, which was one of the most important in Europe at the turn of the 18th and 19th centuries.<\/p>\n\n\n

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CD Friedrich, View of the Castle Hill near Teplice (around 1835) <\/figcaption><\/figure>\n<\/div>\n\n\n
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"I must be alone and know that I am alone in order to fully contemplate and feel nature; I must surrender to what surrounds me, I must merge with my clouds and rocks in order to be what I am. Solitude is indispensable for my dialogue with nature."<\/p>\nCD Friedrich<\/cite><\/blockquote>\n\n\n\n

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CD Friedrich, Ruins on the Castle Hill near Teplice, 1828<\/figcaption><\/figure>\n\n\n\n
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CD Friedrich, Ruins on the Castle Hill near Teplice, 1828<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

In its heyday, Teplice Spa was an important Central European cultural center, visited by important poets, writers, scientists, philosophers and artists (Goethe, Humboldt, Novalis, Leibnitz, Fichte, Tieck, Seume, Sienkiewicz), musicians (Chopin, Schubert, Wagner, van Beethoven, etc.), as well as statesmen from all over Europe. CDFriedrich visited Teplice as a resident in 1828 and 1835. From Teplice we will continue along the red trail to the village Lbin <\/em>below Sup\u00ed vrch; from here we will continue along the meanders of the B\u00edlina River to the village Fireman<\/em>From Ogn\u00ed\u010d we follow the yellow path to Pohradice Mountain <\/em>(419 m) with a lookout tower and from there we will continue to Kostomlat pod Mile\u0161ovkou;<\/em> The village has a Gothic church and a Baroque chateau, and above it the ruins of a medieval bergfrit-type castle, which CD Friedrich captured in his drawing from 1828. We spend the night in the castle grounds.<\/p>\n\n\n

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View of Lb\u00edn, with the Bohemian Central Mountains in the background \u2013 Mile\u0161ovka and Pa\u0159ez (reprophoto) <\/figcaption><\/figure>\n<\/div>\n\n\n
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Ruins of Kostomlaty Castle (reprophoto)<\/figcaption><\/figure>\n\n\n\n
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CD Friedrich, Ruins of Kostomlat, 1828<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Sunday 8.5.: Kostomlaty, Mile\u0161ovka, Klete\u010dn\u00e1, ruins of Op\u00e1rno castle, Lovo\u0161, Mal\u00e9 \u017dernoseky, Velk\u00e9 \u017dernoseky, Kalv\u00e1rie (30 km)<\/h3>\n\n\n\n

In the morning we will set off from Kostomlaty following the green trail under Silver Hill <\/em>to \u010cern\u010dic<\/em> and from there we ascend the blue to Milesovka<\/em> (837 m), the highest peak of the Bohemian Central Mountains. From Mile\u0161ovka we descend along the blue and yellow paths below Fox Hill<\/em> until the crossroads on Pa\u0161ka field <\/em>and from there we climb to the top Caged <\/em>(706 m). From Klete\u010dn\u00e1 we go down the yellow path through Hru\u0161ovka, Chotim\u011b\u0159 to Op\u00e1rensk\u00fd mill <\/em>and the ruins of the castle Oparno<\/em> and from there we will climb to the top Lovo\u0161e<\/em> (570 m). From Lovo\u0161 we descend along the yellow trail to Op\u00e1rensk\u00e9 Valley<\/em> except for ferry across the Elbe<\/em> in Mal\u00fd \u017dernoseky<\/em>We will cross the Elbe River to Velky \u017dernoseky <\/em>and on the other bank we will follow the green path in the direction of the Elbe River Calvary <\/em>(245 m).<\/em> We spend the night in the Kalvaria nature reserve or in the area Hr\u00e1dek hillfort,<\/em> whose origins date back to the Bronze Age.<\/p>\n\n\n\n

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CDFriedrich, Czech landscape with Mile\u0161ovka, around 1808<\/figcaption><\/figure>\n\n\n\n
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\u201cThe only true source of art is the pure and sincere feelings that we cherish in our hearts. A painting that does not draw inspiration from the heart is nothing more than a vain juggling act. All authentic art is born in a sacred moment and is nourished in a blessed hour; it is created by an inner impulse, often without the artist being aware of it.\u201d<\/p>\nCD Friedrich<\/cite><\/blockquote>\n\n\n\n

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"You should keep sacred every movement of your mind; you should keep sacred every pious feeling; for that is the art within us. In the inspired hour it will appear in clear form, and that form will be your image."<\/p>\nCD Friedrich<\/cite><\/blockquote>\n\n\n

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CDFriedrich, Bohemian Landscape (Mountain Landscape), around 1808<\/figcaption><\/figure>\n<\/div>\n\n\n

Caspar David Friedrich and Bohemia:<\/strong> <\/strong>CD Friedrich's first visit to Bohemia probably took place in 1807. The first significant works of art connected with the Czech landscape are his paintings "Cross in the Mountains" (D\u011b\u010d\u00edn Altar) and the aforementioned paintings "Czech Landscape with Mile\u0161ovka" and "Czech Landscape", which were created in the years 1807 to 1808. All three were acquired from Friedrich by Count Franz Anton von Thun and Hochenstein of D\u011b\u010d\u00edn with his bride Theresa, Countess von Br\u00fchl, in 1808. However, one of Friedrich's drawings suggests that he may have been active in Bohemia as early as 1803. Friedrich's painting "Morning Mist in the Mountains" was probably also created in 1808, for which the Tol\u0161tejn Mountain in the Lusatian Mountains was probably the model; and in 1810 the famous painting "Night Landscape with a Rainbow", in which he depicted the motif of the R\u016f\u017eovsk\u00fd Hill in Bohemian-Saxon Switzerland. In 1810, CD Friedrich, together with his friend the painter GF Kersting, undertook a famous journey to the Giant Mountains, which resulted in, in addition to a number of drawings, the painting "Morning in the Giant Mountains" (1810-11) and later other paintings. CD Friedrich also worked in Bohemia in the 1820s and 1830s. His spa stay in Teplice in 1828 was particularly fruitful, during which the artist created a number of drawings and watercolors.<\/p>\n\n\n\n

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CDFriedrich, View of Klete\u010dn\u00e1, around 1828 (reprophoto)<\/figcaption><\/figure>\n\n\n\n
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CDFriedrich, View of Lovo\u0161 (around 1920) <\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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\u201cIn the landscape it was above all Friedrich, whose deep and energetic mind with complete originality seized this tangle of banality, rigidity and boredom and cut through it with sharp melancholy \u2013 and raised from its midst a distinctly new and radiant poetic tendency.\u201d<\/p>\nCarl Gustav Carus<\/cite><\/blockquote>\n\n\n\n

Caspar David Friedrich (1774-1840) <\/strong>was born in Greifswald and studied at the Copenhagen Academy. Together with Philipp O. Runge, he is considered the most important painter of his generation and one of the main representatives of Romanticism in world painting. After his studies, Friedrich moved to Dresden in 1798, which was at that time the center of the early Romantic movement. The exchange of views on new forms of artistic expression between artists and poets such as Friedrich Schlegel, Kleist, Novalis and Tieck was particularly intense and fruitful in this time of upheaval and break with old social structures. In his paintings, Friedrich expressed an emotional response to the world of nature and tried to capture its mysterious metaphysical dimension. The new painting that he strove for in his sacralized landscapes expressed a new pantheistic understanding of spirituality; his theme became the infinity of the universe and divine creation, but also the uncertainty of man in the contemporary world. The melancholy and uncertainty expressed in many of Friedrich's paintings not only reflect the artist's feelings around 1800, but also lend artistic form to an entire era whose worldview was shaken. \u2013\u2013<\/em> Friedrich's work quickly gained fame and significant public recognition. However, from the mid-1820s, as society shifted and the taste of the time faded, his art met with increasing misunderstanding, and soon after his death, Friedrich was almost unknown. He was rediscovered in the early 20th century, especially by the Expressionists and Surrealists, and then again in the 1970s. In the 20th century, artists such as Max Ernst, Ren\u00e9 Margritte, Mark Rothko, Samuel Beckett, Anselm Kiefer, and many others claimed to be his.<\/p>\n\n\n\n

Monday 9.5.: Kalvarie, Kam\u00fdk, Mal\u00ed\u0161, Michalovice, Radob\u00fdl, Litom\u011b\u0159ice (14 km)<\/h3>\n\n\n\n

In the morning we will set off from Kalv\u00e1ria below Str\u00e1\u017ei\u0161t\u011b hill to Pebble <\/em>to the castle ruins. From there we will continue through Malic<\/em> to Michalovic<\/em> and further to Radob\u00fdl (399 m), from where there is a beautiful view of the Elbe valley and the western part of the Bohemian Central Mountains. From Radob\u00fdl we will continue to Litom\u011b\u0159ice to the bus station, from where we will return to Prague.<\/p>\n\n\n

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KFSchinkel, Bohemian Central Mountains at dusk, 1803 (Klete\u010dn\u00e1 with Mile\u0161ovka \/ reprophoto)<\/figcaption><\/figure>\n<\/div>\n\n\n

Connections<\/h2>\n\n\n\n

Litom\u011b\u0159ice \u2013 Prague \/ Monday 9 May: BUS<\/h4>\n\n\n\n