{"id":12830,"date":"2026-06-27T10:10:01","date_gmt":"2026-06-27T08:10:01","guid":{"rendered":"https:\/\/potulnauniverzita.cz\/?post_type=aktivity&p=12830"},"modified":"2026-07-19T22:51:37","modified_gmt":"2026-07-19T20:51:37","slug":"jit-nalehko-aneb-japonske-inspirace-pozvanka","status":"publish","type":"aktivity","link":"https:\/\/potulnauniverzita.cz\/en\/aktivity\/jit-nalehko-aneb-japonske-inspirace-pozvanka\/","title":{"rendered":"J\u00edt nalehko aneb Japonsk\u00e9 inspirace \u2013 pozv\u00e1nka"},"content":{"rendered":"
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Summer seminar of the Traveling University of Nature<\/a><\/p>\n\n\n\n

J\u00edt nalehko aneb Japonsk\u00e9 inspirace<\/h1>\n\n\n
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Utagawa Hiroshige, Arashiyama Manka, 1834 \u2014 ze s\u00e9rie Slavn\u00e9 pohledy na Kj\u00f3to<\/figcaption><\/figure>\n<\/div>\n\n\n

O stolet\u00e9m kulturn\u00edm dialogu \u010ceska s Japonskem<\/p>\n\n\n\n

poezie a um\u011bn\u00ed \u2022 p\u0159\u00edroda a kultura \u2022 filosofie a spiritualita<\/em><\/p>\n\n\n\n

v\u011bnov\u00e1no Nanao Sakakimu<\/strong> and Anton\u00ednu L\u00edmanovi<\/strong><\/p>\n\n\n\n

17. a\u017e 23. srpna 2026 \u2014 Kl\u00e1\u0161ter Broumov<\/p>\n\n\n\n

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Spolek Pilgrim si v\u00e1s dovoluje srde\u010dn\u011b pozvat na jeden\u00e1ct\u00fd letn\u00ed semin\u00e1\u0159 Potuln\u00e9 univerzity p\u0159\u00edrody.<\/em><\/p>\n\n\n\n

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\u201eKdy\u017e jsem se poprv\u00e9 v japonsk\u00e9 literatu\u0159e setkal s on\u00edm zvl\u00e1\u0161tn\u00edm vc\u00edt\u011bn\u00edm do nejmen\u0161\u00edch v\u011bc\u00ed a bli\u017en\u00edch tvor\u016f a s jej\u00ed bezprost\u0159edn\u00ed komunikac\u00ed s neviditeln\u00fdm sv\u011btem p\u0159edk\u016f, oslnilo m\u011b toto pozn\u00e1n\u00ed jako blesk z \u010dist\u00e9ho nebe. Tady n\u011bkde se skr\u00fdvalo jedine\u010dn\u00e9 j\u00e1dro t\u00e9to star\u00e9 tradice, jej\u00ed \u201avelk\u00fd k\u00f3d\u2018.\u201c<\/p>\nAnton\u00edn L\u00edman<\/cite><\/blockquote>\n\n\n\n

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\u201eJak p\u0159edat tis\u00edc let japonsk\u00e9 kultury, kdy\u017e tu schopnost udr\u017een\u00ed u\u017e ztr\u00e1c\u00ed sami Japonci? … Ale to p\u0159ece nic nem\u011bn\u00ed na tom, \u017ee jejich kultura je tak bohat\u00e1 a tak zaj\u00edmav\u00e1, \u017ee bychom ji v\u0161ichni m\u011bli zn\u00e1t. M\u011b v \u017eivot\u011b nesm\u00edrn\u011b obohatila, tak pro\u010d by nemohla obohatit v\u00edc lid\u00ed?\u201c<\/p>\nAnton\u00edn L\u00edman<\/cite><\/blockquote>\n\n\n

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Emil Orlik, Poutn\u00edci na horu Fud\u017ei, 1900<\/figcaption><\/figure>\n<\/div>\n\n\n

Na leto\u0161n\u00edm semin\u00e1\u0159i Potuln\u00e9 univerzity p\u0159\u00edrody se budeme zab\u00fdvat t\u00edm, v \u010dem je pro n\u00e1s jedine\u010dn\u00e1 japonsk\u00e1 kultura, kter\u00e1 je od n\u00e1s tak geograficky vzd\u00e1len\u00e1, tolik p\u0159ita\u017eliv\u00e1. Co n\u00e1s \u010cechy a obecn\u011b Evropany na dalek\u00e9m ostrovn\u00edm Japonsku u\u017e v\u00edce ne\u017e sto let tak fascinuje? \u010c\u00edm n\u00e1s tato zvl\u00e1\u0161tn\u00ed magick\u00e1 zem\u011b oslovila a pro\u010d n\u00e1s dodnes nep\u0159est\u00e1v\u00e1 inspirovat a obohacovat? Velk\u00fd obdiv, kter\u00fd japonsk\u00e1 kultura po sv\u00e9m objeven\u00ed na konci 19. a na po\u010d\u00e1tku 20. stolet\u00ed vyvolala mezi evropsk\u00fdmi a americk\u00fdmi um\u011blci, b\u00e1sn\u00edky, historiky a v\u011bdci, zjevn\u011b s \u010dasem nevymizel, ale transformoval se do nov\u00fdch podob a v \u010cech\u00e1ch se dnes rozv\u00edj\u00ed v bohat\u00e9 \u010desko-japonsk\u00e9 spolupr\u00e1ci. Z\u00e1sluhu na tom m\u00e1 \u0159ada zdej\u0161\u00edch skv\u011bl\u00fdch japanolog\u016f a p\u0159ekladatel\u016f, um\u011blc\u016f a b\u00e1sn\u00edk\u016f i milovn\u00edk\u016f japonsk\u00e9 kultury, s jejich\u017e n\u011bkter\u00fdmi pohledy na japonskou kulturu se na na\u0161em semin\u00e1\u0159i sezn\u00e1m\u00edme. V prvn\u00ed \u0159ad\u011b chceme p\u0159ipomenout z\u00e1sadn\u00ed roli, kterou u n\u00e1s v pozn\u00e1n\u00ed japonsk\u00e9 kultury sehr\u00e1l jej\u00ed vynikaj\u00edc\u00ed znalec japanolog a p\u0159ekladatel Anton\u00edn L\u00edman, i p\u0159\u00ednos n\u011bkter\u00fdch jeho dal\u0161\u00edch koleg\u016f: Robina \u0160o\u00e9na He\u0159mana, Mark\u00e9ty H\u00e1nov\u00e9, Ji\u0159\u00edho Mately i Daniely Iwashita; chceme p\u0159edstavit aktivity skv\u011bl\u00fdch propag\u00e1tor\u016f japonsk\u00e9 kultury b\u00e1sn\u00edka Ivo Hucla, etnomuzikologa a vynikaj\u00edc\u00edho hr\u00e1\u010de na fl\u00e9tnu \u0161akuha\u010di Vlastislava Matou\u0161ka, kaligrafky Petry Vit\u00e1skov\u00e9 a tane\u010dn\u00edka a velk\u00e9ho poutn\u00edka Ond\u0159eje Landy a nazna\u010dit, \u010d\u00edm Japonsko inspiruje tak\u00e9 n\u011bkter\u00e9 p\u0159edn\u00ed \u010desk\u00e9 um\u011blce \u2013 jako jsou v\u00fdtvarn\u00edci Milo\u0161 \u0160ejn a Pavel Mrkus nebo b\u00e1sn\u00edk Lud\u011bk \u010cert\u00edk. V neposledn\u00ed \u0159ad\u011b chceme vzd\u00e1t hold t\u0159em velk\u00fdm postav\u00e1m japonsk\u00e9 kultury 20. stolet\u00ed, kter\u00e9 se v\u00fdrazn\u011b zapsaly do pov\u011bdom\u00ed na\u0161\u00ed kultury \u2013 b\u00e1sn\u00edkovi Nanao Sakakimu, tane\u010dn\u00edkovi but\u00f3 Minu Tanakovi a p\u0159\u00edrodn\u00edmu zem\u011bd\u011blci Masanobu Fukuokovi.<\/p>\n\n\n\n

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Petr Geisler, Kaligrafie<\/em><\/p>\n\n\n\n

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\u201eK\u00e9\u017e nevid\u00ed\u0161 nic jin\u00e9ho ne\u017e kv\u011bty, k\u00e9\u017e nepomysl\u00ed\u0161 na nic jin\u00e9ho ne\u017e m\u011bs\u00edc …\u201c<\/p>\nMacua Ba\u0161\u00f3<\/cite><\/blockquote>\n\n\n\n

Japonsko na konci 19. stolet\u00ed nejenom z\u00e1sadn\u011b ovlivnilo podobu jazyka rod\u00edc\u00edho se modern\u00edho um\u011bn\u00ed, ale zvl\u00e1\u0161t\u011b ve Francii \u2013 po stolet\u00ed traumatick\u00fdch soci\u00e1ln\u00edch ot\u0159es\u016f \u2013 tak\u00e9 siln\u011b oslovilo touhu zdej\u0161\u00edch um\u011blc\u016f po \u201eprimitivn\u00edm\u201c a nedot\u010den\u00e9m sv\u011bt\u011b. N\u011bkter\u00e9 z nich to p\u0159ivedlo a\u017e k identifikov\u00e1n\u00ed se s tradi\u010dn\u00edm japonsk\u00fdm pohledem na sv\u011bt, spojen\u00fdm s \u00factou k p\u0159\u00edrod\u011b a jednoduch\u00fdm \u017eivotem (Claude Monet, Vincent van Gogh). Tento prohlouben\u00fd z\u00e1jem o star\u00e9 Japonsko, kter\u00fd se projevil t\u00e9\u017e v intenzivn\u00edch snah\u00e1ch americk\u00fdch sb\u011bratel\u016f (Ernest Fenollosa) o studium a z\u00e1chranu japonsk\u00e9ho um\u011bn\u00ed, byl podle Sebastiana Smee p\u0159\u00edznakem kolektivn\u00ed nostalgick\u00e9 touhy tehdej\u0161\u00edch Z\u00e1pa\u010fan\u016f po protijedu proti devastuj\u00edc\u00ed industrializaci. Nicm\u00e9n\u011b kolo d\u011bjin se oto\u010dit nedalo a Japonsko rychle p\u0159ijalo z\u00e1padn\u00ed ideu pr\u016fmyslov\u00e9ho pokroku i celkovou westernizaci zp\u016fsobu sv\u00e9ho \u017eivota a brzy se prom\u011bnilo z feud\u00e1ln\u00ed zem\u011b v dominantn\u00ed mocnost Tichomo\u0159\u00ed. Po druh\u00e9 sv\u011btov\u00e9 v\u00e1lce pak pro\u0161lo hlubokou transformac\u00ed a za\u017eilo obrovsk\u00fd ekonomick\u00fd i v\u011bdeck\u00fd rozmach.<\/p>\n\n\n\n

Dnes p\u016fsob\u00ed Japonsko do zna\u010dn\u00e9 m\u00edry jako zem\u011b protiklad\u016f, v n\u00ed\u017e koexistuje realita vysp\u011bl\u00e9ho technologick\u00e9ho sv\u011bta, poh\u00e1n\u011bn\u00e9ho v\u011bdeck\u00fdmi inovacemi, spolu s hluboce zako\u0159en\u011bn\u00fdmi tradicemi, jejich\u017e kulturn\u00ed vzorce sahaj\u00ed daleko do minulosti. Podle japanologa Ji\u0159\u00edho Mately m\u016f\u017ee Japonsko slou\u017eit jako modelov\u00fd p\u0159\u00edklad soustavn\u00e9 integrace vn\u011bj\u0161\u00edch vliv\u016f a p\u016fvodn\u00ed dom\u00e1c\u00ed produkce; dynamika p\u0159ej\u00edm\u00e1n\u00ed a p\u0159etv\u00e1\u0159en\u00ed je podle n\u011bj hlavn\u00edm z\u00e1kladem japonsk\u00e9 kultury. Japonci n\u00e1s dnes mohou inspirovat pr\u00e1v\u011b svou schopnost\u00ed koexistence respektive integrace modernosti a duchovn\u00edch animistick\u00fdch tradic, co\u017e jim umo\u017e\u0148uje se i v kontextu dne\u0161n\u00edho p\u0159etechnizovan\u00e9ho sv\u011bta vn\u00edmat jako sou\u010d\u00e1st v\u011bt\u0161\u00edho \u0159\u00e1du p\u0159\u00edrody. Na japanologa Anton\u00edna L\u00edmana p\u016fsobil dlouholet\u00fd styk s tradi\u010dn\u00ed japonskou duchovnost\u00ed jako \u201eo\u010distn\u00e1 l\u00e1ze\u0148\u201c a pomohl mu p\u0159ekonat dualismus kartezi\u00e1nsk\u00e9ho sv\u011bton\u00e1zoru a objevit bohatstv\u00ed na\u0161eho vlastn\u00edho zasut\u00e9ho pohanstv\u00ed. Objev imanentn\u00ed duchovnosti ne-lidsk\u00e9ho sv\u011bta, k n\u011bmu\u017e L\u00edman dosp\u011bl d\u00edky \u0161intoismu, mu umo\u017enil, jak napsal, \u201epohnout sv\u00fdm vlastn\u00edm vesm\u00edrem\u201c. Posun k intimn\u00edmu sou\u017eit\u00ed s v\u00edce ne\u017e lidsk\u00fdm sv\u011btem je dnes z\u00e1sadn\u00ed pro samotn\u00e9 na\u0161e p\u0159e\u017eit\u00ed. Mysl\u00edm, \u017ee pr\u00e1v\u011b pozn\u00e1n\u00ed japonsk\u00fdch tradic n\u00e1s dnes m\u016f\u017ee v\u00edce otev\u0159\u00edt tomu, jak se znovu nau\u010dit na Zemi \u017e\u00edt poeticky a lehce a jak o ni znovu za\u010d\u00edt l\u00e9pe pe\u010dovat.<\/p>\n\n\n

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Milo\u0161 \u0160ejn, Zapadaj\u00edc\u00ed slunce, 1982<\/figcaption><\/figure>\n<\/div>\n\n\n

Broumovsko<\/h3>\n\n\n\n

N\u00e1\u0161 leto\u0161n\u00ed semin\u00e1\u0159 po\u0159\u00e1d\u00e1me na severov\u00fdchod\u011b \u010cech v malebn\u00e9 pohrani\u010dn\u00ed krajin\u011b Broumovska v b\u00fdval\u00e9m benediktinsk\u00e9m kl\u00e1\u0161te\u0159e v Broumov\u011b. Tato odlehl\u00e1 tajemn\u00e1 krajina s magick\u00fdm geniem loci k sob\u011b p\u0159itahuje pozornost p\u0159edev\u0161\u00edm svou rozmanitou p\u0159\u00edrodou a bohatou geologickou minulost\u00ed a tak\u00e9 jedine\u010dn\u00fdm souborem barokn\u00edch kostel\u016f a lidovou architekturou. B\u011bhem semin\u00e1\u0159e podnikneme celkem t\u0159i v\u00fdlety: v\u00fdlet po znovuobnoven\u00e9 ro\u017emit\u00e1lsk\u00e9 poutn\u00ed cest\u011b do Ro\u017emit\u00e1lu, v\u00fdlet do Broumovsk\u00fdch st\u011bn na Hv\u011bzdu, Str\u00e1\u017enou horu a Honsk\u00fd \u0160pi\u010d\u00e1k a v\u00fdlet do Mart\u00ednkovic, kde nav\u0161t\u00edv\u00edme faru Hoprich a nejstar\u0161\u00ed z broumovsk\u00e9 skupiny barokn\u00edch kostel\u016f kostel Sv. Ji\u0159\u00ed a sv. Martina.<\/p>\n\n\n\n

Broumov, a p\u0159edev\u0161\u00edm broumovsk\u00fd kl\u00e1\u0161ter, byl v minulosti d\u016fle\u017eit\u00fdm kulturn\u00edm i vzd\u011bl\u00e1vac\u00edm centrem. Jeho v\u00fdznam a s n\u00edm i v\u00fdznam Broumovska upadl v zapomenut\u00ed zejm\u00e9na b\u011bhem doby totality. Av\u0161ak od konce 90. let se za\u010daly objevovat ob\u010dansk\u00e9 iniciativy, kter\u00e9 usilovaly o o\u017eiven\u00ed kulturn\u00ed pam\u011bti a genia loci Broumovska, o probuzen\u00ed vztahu lid\u00ed ke zdej\u0161\u00ed krajin\u011b i o rozvoj m\u00edstn\u00ed ekonomiky. Na semin\u00e1\u0159i n\u00e1s s t\u00edmto dnes u\u017e t\u00e9m\u011b\u0159 t\u0159icet let trvaj\u00edc\u00edm revitaliza\u010dn\u00edm hnut\u00edm sezn\u00e1m\u00ed jeho hlavn\u00ed inici\u00e1to\u0159i a tv\u016frci: Jan Pi\u0148os, inici\u00e1tor programu O\u017eiven\u00ed Broumovska, Jan \u0160koln\u00edk, jen\u017e stoj\u00ed za vznikem Agentury pro rozvoj Broumovska, Anna a Adam Sm\u00e9kalovi, kte\u0159\u00ed buduj\u00ed Faru Hoprich jako \u201eprostor pro aktivn\u00ed prom\u011bnu sv\u011bta\u201c a Petr Bergmann, \u0159editel Institutu region\u00e1ln\u00ed pam\u011bti a velk\u00fd znalec kulturn\u00ed historie Broumovska.<\/p>\n\n\n

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Kl\u00e1\u0161ter v Broumov\u011b<\/figcaption><\/figure>\n<\/div>\n\n\n

Seznam lektor\u016f<\/h3>\n\n\n\n

Jan Franti\u0161ek B\u00edm, Petr Bergmann, Lud\u011bk \u010cert\u00edk, Marek Gonda, Mark\u00e9ta H\u00e1nov\u00e1, Robin \u0160o\u00e9n He\u0159man, Tom\u00e1\u0161 Hr\u016fza, Ivo Hucl, Daniela Iwashita, Pavel Jan\u0161ta, Daniel Costa Ja\u0159ab, Ond\u0159ej Landa, Ji\u0159\u00ed Matela, Vlastislav Matou\u0161ek, Pavel Mrkus, Kl\u00e1ra Mrkusov\u00e1, Jan Pi\u0148os, Mari (K\u00f3h\u00f3) Ku\u010dera Shinada, Anna a Adam Sm\u00e9kalovi, Milo\u0161 \u0160ejn, Jan \u0160koln\u00edk, Petra Vit\u00e1skov\u00e1, Ji\u0159\u00ed Zem\u00e1nek.<\/p>\n\n\n\n

Seminar registration<\/h3>\n\n\n\n

Cena za vlastn\u00ed semin\u00e1\u0159 \u010din\u00ed 5 000,- K\u010d<\/strong> (pro lidi s ni\u017e\u0161\u00edm p\u0159\u00edjmem: 4 000,- K\u010d<\/strong>); cena za ubytov\u00e1n\u00ed a stravu 4 745,- K\u010d<\/strong>. Celkem 9 745,- K\u010d<\/strong> (levn\u011bj\u0161\u00ed varianta 8 745,- K\u010d<\/strong>). P\u0159ihl\u00e1\u0161en\u00ed na semin\u00e1\u0159 je platn\u00e9 po zaplacen\u00ed z\u00e1lohy 1 500,- K\u010d<\/strong> na \u010d\u00edslo \u00fa\u010dtu u Fio banky, a.s.: 2901522796\/2010<\/strong>. Do koment\u00e1\u0159e uve\u010fte sv\u00e9 jm\u00e9no. Zb\u00fdvaj\u00edc\u00ed \u010d\u00e1stku uhrad\u00edte na m\u00edst\u011b v hotovosti \u010di p\u0159evodem pomoc\u00ed QR k\u00f3du.<\/p>\n\n\n\n

Kapacita semin\u00e1\u0159e je omezena na 40 \u00fa\u010dastn\u00edk\u016f. P\u0159ednostn\u011b budou p\u0159ij\u00edm\u00e1ni ti, kte\u0159\u00ed se hl\u00e1s\u00ed na cel\u00fd semin\u00e1\u0159. V p\u0159\u00edpad\u011b p\u0159ihl\u00e1\u0161ky pouze na \u010d\u00e1st semin\u00e1\u0159e v\u00e1s budeme o potvrzen\u00ed va\u0161\u00ed \u00fa\u010dasti informovat do 10. \u010dervence.<\/p>\n\n\n\n

Kontakty pro p\u0159ihl\u00e1\u0161ky<\/a><\/p>\n\n\n

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Kaple Panny Marie Sn\u011b\u017en\u00e9 na Hv\u011bzd\u011b<\/figcaption><\/figure>\n<\/div>\n\n\n

Putov\u00e1n\u00ed k vodop\u00e1d\u016fm v polsk\u00e9 \u010d\u00e1sti Krkono\u0161<\/h3>\n\n\n\n

z Broumova p\u0159es Krkono\u0161e a Jizersk\u00e9 hory do Liberce<\/em><\/p>\n\n\n\n

ned\u011ble 23. srpna \u2013 sobota 29. srpna 2026<\/p>\n\n\n\n

Broumov \u2013 Osta\u0161 \u2013 Adr\u0161pa\u0161sk\u00e9 sk\u00e1ly \u2013 Trutnov \u2013 R\u00fdchory (Dvorsk\u00fd les) \u2013 Horn\u00ed Mal\u00e1 \u00dapa \u2013 Sn\u011b\u017eka \u2013 Vysok\u00e9 kolo \u2013 Vodop\u00e1d Szklarki \u2013 Vodop\u00e1d Kamie\u0144czyka \u2013 Jizerka \u2013 Hejnice \u2013 Liberec \/ 152 km<\/p>\n\n\n\n

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More information<\/a><\/div>\n<\/div>\n\n\n
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Vodop\u00e1d Szklarki v polsk\u00e9 \u010d\u00e1sti Krkono\u0161<\/figcaption><\/figure>\n<\/div>\n\n\n
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"When we learn 'about' nature, nature becomes the object of study, which leads to its exploitation. But when we learn 'from' nature, we establish a close relationship with it, which presupposes humility and respect for the mystery of natural processes."<\/p>\nSatish Kumar<\/cite><\/blockquote>\n\n\n\n

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Kontakt<\/h3>\n\n\n\n